Serenity in the Japanese Garden

12th Century Bronze Buddha

One of our guests' favorite gardens is our Japanese Garden, which is notable for its age and that it was the first privately owned Japanese garden in North America. Mary Clark Thompson was a woman who lead the way in garden design to be sure.

And except for the waterlilies that appear in the garden's ponds during summer, this garden features no flowers. But that does not diminish its beauty. Much to the contrary, it enhances it as it allows the visitor to quietly take in the natural surroundings simply accented by stone lanterns, the Tea House, and of course, our 12th century bronze Japanese Buddha. If you talk to the guests about the garden, this larger than life-sized statue is the one piece of the garden that is almost always mentioned for the statue has an amazing and palpable serene presence.

The statue sits in the corner of the garden nearest to the Roman Bath -- always peaceful and always quiet. It is a peace that is infectious for most. But there is a story about this statue rumored to have taken place after the bombing of Pearl Harbor. Supposedly two local men were going to destroy the statue with axes as some sort of punitive act for the bombing. And sure enough, there are two cuts in the chest of the statue that had to be created with a bladed instrument and some degree of force. But only two cuts.

Is the story real? I don't truly know but I've heard it from a couple of sources and it is at least part of the Sonnenberg lore some like to share. If it is true, why did the men stop at one stroke each? Did that peaceful gaze look down into their hearts and cool their thirst for vengeance? Perhaps.

Two cuts are visible on the statue's chest

Offerings often appear in the statue's hands

Mythical Spotlight: Pan

One of the things you will quickly realize when looking at the statuary and other carved art pieces that grace the Sonnenberg Estate is that many characters are from the Classical Mythology of Ancient Greece and Rome. It is rather like a Greco-Roman mythology who's-who. Here is a quick spotlight of one of those characters that can be seen at Sonnenberg.

Pan
Location: Rock Garden
Type: Free-standing Statue
Mythology Origin: Ancient Greece

Description:
Pan was the god of wild places and the patron deity of shepherds. He is depicted in much the same manner as a faun with the hindquarters and horns of a goat. Pan's origins are unclear. Some tales say he is the son of Hermes while others point to Zeus or other gods. Pan was also associated with music and he was said to have created the syrinx or panpipes. (The Sonnenberg statue shows Pan holding a set of these pipes.) Being a pastoral god, natural caves and grottos instead of man-made temples are where people worshipped him. Pan is said to be the origin of the word panic due to his terror-inducing shouts.

More Info:
Pan (Wikipedia)
Pan (Ancient History)
Pan (Theoi)

Pan overlooking the Rock Garden
(Click on image to see a larger view)

All the Faces Looking Back at You

When you visit Sonnenberg Gardens and walk around the estate, something becomes abundantly clear: there are many sculpted faces looking back at you. So here is a bit of fun - how well do you know Sonnenberg? Can you place all these faces? These faces taken out of context makes this visual scavenger hunt deceptively difficult.

Face 1

Face 2

Face 3

Face 4

Face 5

Face 6

Face 7

Face 8

Face 9

Face 10

Face 11

Face 12

Face 13

Face 14

Face 15

Face 16

Restoration - A Work in Progress

Preservation, renovation, and restoration efforts at Sonnenberg Gardens is an ever on-going activity as the estate features many structures, statues, and gardens each in need of specialized care. Over the last ten years, $4 million dollars of improvements have been made. Some improvements, like new roofing or statue cleaning, may go largely unnoticed while other work, like this year's Palm House restoration in our greenhouse complex, is hard to miss.

One of the next items slated for restoration is the "Glorietta" in our Italian Garden. The Glorietta is a Garden Folly which is an eccentric or extravagant structure created as a garden or landscape decoration. The Glorietta is one of our most unique and interesting garden pieces and can be seen below.

William Hornaday in his book Masterpieces of Garden Making, published in 1917, has this to say about the Glorietta:

At the southwestern corner of the garden there rises a light and airy white marble summer house, with a domed canopy of iron grille work. I do not know what to call that feature, precisely; but it was imported from Italy, and it is the particular long-distance architectural feature of this garden. In one sense it is an informality; for it is a conspicuous side effect, balanced by nothing. Its real purpose is to carry a strong impression of artistic value clear down the length of the garden, and into its most remote corner.

Age and weather have been hard on the century-old carved marble and wrought iron components of the Glorietta. It is in need of specialized and expensive conservation care. These detailed images show some of the unique design elements as well as examples of the damage the years have caused. 

Sonnenberg Glorietta

Column Base Detail

Column Capital Detail

Reverse View

Ironwork Dome

While we operate in cooperation with New York State, we are not funded by the State. All operational needs and restoration activities at Sonnenberg are funded through the efforts of our nonprofit organization, Your donation will go far in helping to preserve this and other historic structures at Sonnenberg which are irreplaceable treasures. To make your gift, click the donate button below.

Neptune Gets a Facelift

Due to a conservation grant award from the Greater Hudson Heritage Network, last year we were able to do some work on the Neptune fountain in our Italian Garden. If you are unfamiliar with the fountain, it is the focal point for the our iconic Italian Garden. The sculpture is of Neptune with a sea creature and it is centrally placed on the edge of a large water feature. Neptune is holding a creature between his legs and left hand while his right hand is raised, clutching a club-like object with which he appears to be thrashing the creature between his legs. Seasonally, water spurts from the mouth of the creature into a basin below Neptune’s feet. Historically the basin was surrounded by three carved, oversized sea-shells on the water side but these shells have been removed from the fountain at some time in the past.

The conservation work mostly consisted of removing mineral and biological deposits that had built up on the statue - see the images below for the before and after shots.

A huge thanks goes out to the Greater Hudson Heritage Network for allowing us to help preserve the most prominent and probably recognizable of our statuary collection!

Historic View of the Fountain/Statue:

 Before Treatment:

After Treatment: